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The choreographer pays tribute to Argentina recovering two of its 1928 ballets. In the twenties of the last century, Paris was a city with no creative limits or moral brakes. It is the capital that Antonia Mercé and Luque knew,
The choreographer pays tribute to Argentina recovering two of its 1928 ballets. In the twenties of the last century, Paris was a city with no creative limits or moral brakes. It is the capital that Antonia Mercé and Luque knew,
